JAMsj

What's new at Manzanar

Manzanar Guard Tower No. 8 with recently added WWII era searchlight. Photo courtesy of Komo .Imagine visiting one of the World War II American concentration camps and actually being able to see what it looked like when Japanese Americans were incarcerated there.  Modern technology and the hard work of various organizations will soon make this possible. A good example of the former is  CyArk, a non-profit organization dedicated to the digital preservation of cultural heritage sites. CyArk’s work in digitally reconstructing the Manzanar, Topaz, and Tule Lake Wartime Relocation Authority (WRA) camps, together with the development of a “demonstration block” at Manzanar, will allow visitors to be part of both virtual and physical realities.Although some of this is still a work in progress, the Manzanar National Historic Site is already well worth a visit. In addition to the demonstration block, which today includes a mess hall and two barracks, there is a lot to see:  a very impressive interpretive center, rotating exhibits, and quality public programs.  In addition, helpful park rangers are on site. The interpretive display inside of the mess hall is already open to the public.  In addition, visitors can walk through the barracks to get a feel for things to come.

CYARK

Cyark’s work in digitally reconstructing Manzanar (circa 1944) is part of an exciting, larger project, the Japanese American Confinement Sites Grant.  Cyark is working on this project in collaboration with the National Park Service (NPS), Manzanar National Historic Site, Tule Lake Unit of the WWII Valor in the Pacific National Monument, and Topaz Museum.Elizabeth Lee, CyArk’s Director of Operations, was interviewed by Manzanar Committee blogger Gann Matsuda last year after a preview/feedback session in Los Angeles. Lee described the project as “going beyond just capturing the physical remains at the site, of which, there are very few.” She went on to say that, “Using that as a foundation, and combining that with historic resources, such as maps, photographs, and even oral histories, we can virtually reconstruct the site in 3D, and in an immersive, interactive environment.”The first step of Cyark’s work uses laser scan data that is collected at each site, GPS, and photography to accurately capture the sites and their landscape in 3D. Coupled with historic documentation such as architectural drawings, photographs, and archival research, CyArk is able to develop a virtual recreation of the site. For example, although today Merritt Park at Manzanar is arid and dusty, the virtual recreation shows the park as it was in 1944, including the waterfall that connected the two ponds and the famous wild rose bushes grafted by Kuichiro Nishi. Visitors will even be able to hear the sound of the waterfall. A video preview of the Merritt Park reconstruction can be found on CyArk’s Virtual Manzanar blog.Virtual reconstruction of Topaz. Photo courtesy of CyArk.Parks and gardens are not the only things captured in this project.  A large portion of the entire site, including the barracks (both interior and exterior), is also included.  The high-tech computer generated imagery (cgi) videos, coupled with oral histories featuring former prisoners and historic images, provide a unique opportunity to experience what life was like for the Japanese Americans who were incarcerated in these WRA camps.Not only will those interested be able to visit these camps virtually via the Internet, but also visitors will be able to experience an “augmented reality” through the use of smart phones or tablets. The vision is for visitors to be able to see not just the reality of a site in front of them today (for example, the dry and arid Merritt Park), but also see on their devices the digitally reconstructed image of what that exact same view might have looked like in 1944. When visitors move, the view on the device would move with them. Lee described this as “a window into time, looking back some sixty years.”Gann Matsuda’s full-length blog, detailing this very interesting project, "Interactive 3D Model Could Revolutionize Real and Virtual Visitor Experience For Manzanar," can be found on the Manzanar Committee’s website.For more information about our upcoming March 16 presentation by CyArk, please contact Komo at PublicPrograms@JAMsj.org. A full announcement will appear in next month’s edition of the JAMsj E-News.

DEMONSTRATION BLOCK AT MANZANAR

National Park Service crews work on reconstructing a WWII era mess hall at Manzanar on Block 14.  Photo courtesy of Friends of Manzanar.The Manzanar War Relocation Center confined more than 10,000 Japanese Americans in 36 blocks from 1942 to 1945. Each block included 14 barracks buildings, a mess hall, a recreation building, latrines, and laundry and ironing rooms. After the war, the buildings were sold for scrap lumber or relocated. A visit to the site will quickly show how barren it is today. Thanks to an ambitious project to develop a “demonstration block” that interprets daily life in the camp, visitors will be able to get a glimpse of life was like for Japanese Americans who were unjustly incarcerated during World War II.So far, a mess hall and two barracks have been constructed in Block 14.  In addition, the design work for four utility buildings has already been completed. Friends of Manzanar, a nonprofit partner of the NPS, continues to raise funds to support the development and interpretation of Block 14.Two barracks have been constructed on Block 14, with interpretive displays expected by early 2014.  Photo courtesy of Komo.The project was approved in 1997, after consultation with the Manzanar Advisory Commission, former internees, and historians. The first physical element of the reconstruction was the World War II-era mess hall.  In December 2002, after a period of negotiation with Inyo County, it was delivered by truck in four sections from the Bishop airport. Although this mess hall was not at Manzanar during World War II, it was constructed during the same period from essentially the same mess hall plans used at Manzanar. Eventually,  NPS received funding to restore the building to its 1942 appearance and to develop exhibits.More information about this project can be found in the Friends of Manzanar newsletter.  Image courtesy of Friends of ManzanarPark staff worked with Krister Olmon, Harvest Moon Studio, and Color-Ad Exhibits and Signage to create the exhibit, with research support from Friends of Manzanar. Opened in 2011, this restoration is a wonderful exhibit, reflecting what life was like in the WRA camps and emphasizing the central importance of the mess hall. The installation includes historic photos, articles, and quotes, as well as period items chosen to reflect what might have been found in the mess hall during that time.In its January 2011 press release, NPS Superintendent Les Inafuku described his experience saying, "As I walk through the mess hall, I find myself imagining that I've walked in right at the busiest moment of a meal and that I'd better be careful not to bump into a cook or dish washer. My great thanks go out to the former internees who provided us with the fine details about meals and the mess halls, plus the countless hours that our Manzanar staff and our creative and dedicated exhibit designers and fabricators devoted to research, develop concepts of, and  produce the exhibits."The interpretive displays inside the WWII era mess hall at Manzanar’s Block 14 have already been installed and are being seen by visitors daily.  Photo courtesy of Komo. Dick Mansfield, a Friends of Manzanar director and the organization’s treasurer, says there are currently two primary Block 14 projects, both still in the planning stages, under way:

  • Development and installation of interpretive materials within reconstructed Barracks 1 and 8
  •  Reconstruction and interpretation of the four central utility buildings--the men’s and women’s latrines, the laundry room, and the ironing room

The interpretive materials for Barracks 1 and 8 are fully funded, planning is nearly completed, and the installation is expected by late 2013 or early 2014. Detailed plans for the four central utility buildings have been drafted, but the project is still in the funding stage. Friends of Manzanar, which has undertaken to provide funding for the central utility building project, has an anticipated budget  of $1 million.Barrack 1 will be set up to show what a typical barrack at Manzanar might have looked like in 1942.  Photo courtesy of Komo.In the fiscal year 2009 to 2010, Congress approved funding, proposed by California Senator Diane Feinstein, for reconstructing Barracks 1 and 8 on Block 14. The barracks have been open to visitors for more than a year and a half, although the interpretive work in the two buildings is still in progress. Barracks 1 reflects what it would have been like when Japanese Americans first arrived at Manzanar in 1942, while Barracks 8 reflects life in 1945. A visitor viewing the site today can walk through the buildings and see the difference. Barracks 1 has wooden planks, complete with gaps, and no wall covering. In Barracks 8, the planks are covered with linoleum flooring.Barrack 8 will reflect 1944. Photo courtesy of KomoIn the January 2010 NPS press release for the groundbreaking of the barracks, Superintendent Inafuku noted, “All Americans had to adapt during World War II, including Japanese Americans confined at Manzanar. Future visitors to Block 14 can learn how Japanese Americans lived at Manzanar and improved their living situations. Our elders can still inspire us to improve our lives and help shape our great nation.”

EXCAVATION OPPORTUNITIES

The NPS has offered opportunities for the general public to help with archeological digs at Manzanar for several years. Park Ranger Kristen Luetkemeier confirmed plans to offer this program again this summer. The three digs are led by noted confinement-sites archeologist Jeff Burton (jeff_burton@nps.gov), under whose direction many of the beautiful decorative gardens developed by the confined persons of Japanese ancestry during World War II have been excavated.A description of one of the 2012 digs states:Within Block 14 of the internee housing area, volunteers will search for a lost fish pond, investigate possible basements, excavate and restore other landscaping and barracks features, and rebuild a retaining wall next to a basketball court. Uncovering and restoring these will help increase visitor understanding of the internee experience, as well as protect these important historic resources. Volunteers will be digging with shovels and small hand tools, using wheelbarrows, mixing concrete, reconstructing landscape features, and screening sediments to retrieve artifacts.Last year, the NPS was able to accommodate up to 10 volunteers (15 years old and up) per day. Although some of the work may be physically demanding, a variety of tasks is offered each day, “to suit a variety of interests and energy levels.” Tasks in the past have included digging with shovels and small hand tools, raking, operating wheelbarrows, screening sediments to retrieve artifacts, note taking, filling out forms and labels, and using a metal detector.  All NPS asks is that volunteers have an “interest in history and a willingness to get dirty.” Volunteers can work any number of days.Click here to read more about last year's digs.

SPECIAL EXHIBITS & PROGRAMS

The NPS  offers great programs and special exhibits.  One current exhibit features photos and stories from Twice Heroes: America’s Nisei Veterans of World War II and Korea by photographer/author Tom Graves.  Featured among the selected portraits are familiar faces such as the late Senator Daniel Inouye and former U.S. Secretary of Transportation, Norman Mineta, as well as less familiar heroes. Each portrait is accompanied by a short yet insightful story about that person.  This exhibit was unveiled at a special program held for Veterans’ Day and included a book talk with Graves.The five paragraphs on Inouye describe one of his many speaking engagements and ends with:Those seated near the podium could see him touch the gold star that hung on the sky blue ribbon around his neck. “As a politician, I have been honored many times,” he said. “To be honored by your brothers is the highest honor. When I wear this medal, I wear it on your behalf. There is no such thing as a one-man hero. I can think of at least a dozen men in my company who should be wearing this. The medals belong to you.”twice-herosAnother soldier’s story told of racism and ended with a note about how 442 soldiers received lesser medals than those of other units. The soldier felt that this was because Hawaii was not yet a state and had no congressman to push a Medal of Honor nomination. He went on to tell of how these veterans and widows were not compensated, saying that, “You cannot eat a Congressional Medal.”Twice Heroes book website

PILGRIMAGE

The annual pilgrimage to Manzanar is held every year on the last Saturday of April.  The 2012 program included a keynote speech by noted author and scholar Dr. Mitchell T. Maki, an afternoon program at the Manzanar cemetery site featuring taiko, an interfaith service, and traditional ondo dancing  In the evening, the popular Manzanar at Dusk program was held. More information on the 2013 pilgrimage will be available on the Manzanar Committee website as the date approaches.Links:http://blog.manzanarcommittee.org/2012/03/19/author-scholar-dr-mitchell-maki-to-keynote-43rd-annual-manzanar-pilgrimage-april-28-2012/http://blog.manzanarcommittee.org/2011/03/21/mako-nakagawa-to-keynote-42nd-annual-manzanar-pilgrimage/http://www.manzanarcommittee.org/The_Manzanar_Committee/Our_Pilgrimage.html

VISITING MANZANAR

In addition to the mess hall and two recently reconstructed barracks, the Manzanar’s Interpretive Center features extensive exhibits, audio-visual programs, and a bookstore. For people visiting the Manzanar National Historic Site, Dick Mansfield recommends starting at the interpretive center with the 22-minute film that shows every half hour.  Next, look through the excellent exhibits and visit Block 14, which is just a few steps from the interpretive center.  Lastly,  drive the peripheral road and imagine what this 10,000-person holding facility on the edge of the desert must have been like for people who had been forced out of their Pacific Coast homes, without any semblance of due process, in 1942.  He notes that the site will be even more meaningful to visitors as the planned development of Block 14 moves forward.Winter hours of operation are 9:00 a.m. to 4:30 p.m. Manzanar is located at 5001 Hiway 395, six miles south of Independence and nine miles north of Lone Pine, California. Programs and exhibits are free and open to the public. For further information, please call (760) 878-2194 or visit the NPS website at www.nps.gov/manz.

Lost Words

The following year-end essay is written by Will Kaku, a JAMsj board member and an organizer for the San Jose Day of Remembrance program.By Will KakuIt has been said by many that writing letters is a lost art form. People under the age of 35 or so may have never experienced the sentimental emotions of discovering that dusty old shoebox full of beautifully crafted letters that convey love, joy, sorrow, and introspection.   The grief-stricken letter with tear-stained handwriting or the scented love letter expressing longing and passion cannot compare to a laboriously long email thread or be reduced to a 140-character tweet with an embedded emoticon.Itsuyo Kaku Hori in the Heart Mountain campI recently had a remarkable shoebox moment when I came across several wartime letters written by my aunt, Itsuyo Kaku Hori (or “Aunt Its” as we called her) while she was incarcerated in the Santa Anita Assembly Center and the concentration camp in Heart Mountain, Wyoming .  The letters were unknown to me until UC Davis professor Cecilia Tsu visited JAMsj and, by chance, informed me that she had discovered the letters when she was performing research at the History San Jose archives.  The letters were sent to Elizabeth Wade, who was the friendly and caring landlord of the San Jose property where my aunt and her family farmed before the war.Those personal letters, as well as other wartime correspondence and documentation that I have collected,  challenge us with the concept of what it really means to be an American. The letters also dramatically reveal a tumultuous period that propelled my young aunt into an incredible emotional journey and a great personal transformation.Persons of Japanese ancestry arrive at the Santa Anita Assembly Center. Courtesy of National Archives and Records Administration (NARA).The first letters that she wrote from Santa Anita captured my 19-year-old aunt’s youthful innocence, optimism, trust, and naiveté. She mentioned the arduous, seventeen-hour train ride from San Jose to Santa Anita, how she missed the ranch in San Jose, and the long lines of people waiting for their camp meals. But she also remarked that Santa Anita is “a nice place” and that ”the race track is beautifully built with a large grandstand.”“There are millions of people from all directions,” Aunt Its wrote. She was awestruck. “For you know that this is our first experience to see such a big place with so many people, that it will be a great, big adventure to us.  We don’t know how long the government is going to keep us here, but we are well satisfied. It’s amazing to see what the government can do for so many people at this and the other camps.”My cousins, Kathy Chang and Noreen Kudo, came to the archives at History San Jose to look at the letters from their mother (my Aunt Its)Aunt Its wrote to Elizabeth Wade every two months.  And she continued to write the “newsy” letters, as she referred to them, after the family was transferred to the Heart Mountain concentration camp. She wrote cheerfully, “This is our first experience in snow and it looks so pretty and white. The children seem to enjoy themselves by playing snow fights and making a snowman.”  Coincidentally, she mentioned that she saw “the young Mr. Sakauye every time I go to the post office.” (I wasn’t aware that she knew JAMsj founder, Eiichi Sakauye).These later letters from Heart Mountain also conveyed the first depictions of hardship. She remarked that the cold weather “affects the old folks very much, especially our Mom. She says that she feels as though her ear has been taken off.  We all wish this war would be over pretty soon, but I guess it’s for the time to decide it. Let us all wish for the best of things now.”Strangely, the continuous stream of letters comes to an abrupt halt in March 1943.  I’m not sure why, but this is the same month the family requested repatriation to Japan (the request was rescinded a few months later).  In addition, it was around the time that the highly controversial “loyalty questionnaire” was issued at Heart Mountain.Jack Matsuoka's depiction of the arguments that raged within the camp over the questionnaire. Matsuoka's artwork is on display at the Japanese American Museum of San Jose.My father recounted to me many years ago when he was still lucid that the camp became a highly volatile place during that period. He recalled that there were people who applied great pressure on him to take a stand one way or another on the questionnaire. He remembered that whenever he had a meal in the mess hall, there was always somebody on the other side of the table emphatically demanding that he answer the questionnaire according to their strongly held point of view.Perhaps because my Issei grandfather wanted the family to repatriate to Japan, his children who were old enough to sign the questionnaire did not answer the controversial questions #27 and #28 in the affirmative.  Although government records show that my father argued with his father because he wanted to stay in America and that he subsequently registered for Selective Service, he did not answer the questions, which was considered the same as giving a negative response.  He was thus labeled as a disloyal “No-No Boy."Local artist, Jack Matsuoka, states, "Discussion and debate on the questionnaire issue grew heated and not infrequently led to quarrels and fights. " From Matsuoka's book Poston, Camp II, Block 211.Most people who answered "no-no" to questions #27 and #28 were moved to the Tule Lake Segregation Center, a high security camp in California near the Oregon border. The results of the questionnaire eventually separated my aunt from the rest of her family. After getting married, my Aunt Its decided to stay in Heart Mountain while the rest of the family was sent to the Tule Lake.Transcripts of my aunt’s leave clearance hearings reveals a young woman who was undergoing a radical transformation in her thinking. Her husband failed to report to his draft induction, demanding that he would serve in the armed forces only if his rights were fully restored. My uncle is subsequently arrested and sent away to a Department of Justice camp and then later to Leavenworth Federal Penitentiary. My aunt is left alone in Heat Mountain, separated from her husband and her family. Her earlier feelings of optimism, trust, and hope are now replaced by confusion and cynicism.

Anderson (Assistant Project Director): How has all this made you feel toward the United States?
Hori (my aunt): Before evacuation, it was swell, it was all right, just like other people. I felt good, but since being put in camp, it is something different.
Anderson: As far as the future is concerned, do you feel that you could live your life here and be satisfied that you are an American?
Hori: It is hard to tell right now.
Anderson: You may feel that as a citizen you haven’t been treated right, but there is no question about your being a citizen. You are. Do I understand that the thing that you object to, you disagree with, is the fact you have been evacuated and have been required to live in a relocation center?
Hori: Yes. As citizens we should be treated like other Americans.
Anderson: You still think that under these conditions, you could be a sincerely loyal American, or do you feel that would make you feel a little bitter toward this country?
Hori: (No reply)

Assistant Project Director Anderson continued to press the argument that it is a citizen’s responsibility to report for military service even though he or she is forced into a “relocation center” and that the two issues are separate and should not be confused.

Anderson: Why do you think that you and your husband are any different than myself in regard to such an obligation? You think that I should go, but you feel you and your husband are justified in not going (to join the army).
Hori: They should give us some of the rights back to us, and then it is all right for us to go.
Anderson: What rights?
Hori: Rights of the citizen. Free to go out like other Americans before evacuation. They shouldn’t force us into relocation centers.

My father and my uncles were labeled as disloyal to the United States. After the war when their rights are restored, my father works for 2 years in Korea for the U.S army and another uncle serves in the Korean War and made a career in the military.Several members of the Leave Clearance Review Committee debated whether my aunt was truly a loyal American. One member wrote his review with underlined annotations for emphasis, “There are no indications of disloyalty, but rather a misconception of evacuation and Selective Service which has not been cleared up. If her husband and she are willing to suffer because of what they think American rights are, both would fight if they were given an understanding of the total picture.”What they think?  When I read this handwritten notation, I am amazed that people cannot see within themselves their own misconception about what American rights are.My aunt stayed in Heart Mountain, separated from her husband and her family in Tule Lake. When she found out her father was dying, she had to obtain permission to visit him.  Aunt Its told me once about the multiday train ride from Heart Mountain to Tule Lake. “The train was full of soldiers and nobody would give me a seat. Finally, one Japanese American soldier gave me a seat.” When she arrived at Tule Lake, the camp authorities recorded her fingerprints and took several mug shots. “ We were discriminated against. We were Japs,” Aunt Its said.My aunt was amazed that I was able to find her 1945 letter to the camp project director. Here she is seen reading the letter in my interview with her in 2006.There was another handwritten letter from my aunt in the government’s archives that stirs sadness within me. In her letter, my aunt emotionally pleaded with a government official to let her stay at the Tule Lake camp so that she could take care of her ailing father.“When I met him, I was so shocked to see him completely changed from the time we separated last,” my aunt wrote in her letter to the project director. “That really was terrible for me to bear. I feel so sorry for my mother, watching her care for my father and children also. It makes me feel that I want to stay here forever and help, but I’m afraid that is impossible. I do not know when I will meet them (the family) again, and probably by then, he’ll pass away.”My grandfather's funeral at Tule Lake.My aunt was eventually given permission to stay at Tule Lake. She took care of her father until he died several weeks after the war ended.I was lucky to interview my Aunt Its before she passed away in 2007. Her controversial stories cover a topic that has been very difficult and painful for the Japanese American community. But, the stories also strike at the heart of the definitions of American identity, loyalty, equality, and justice. They have inspired me to ensure that her story, as well as the stories from others, are kept alive at JAMsj.In my eulogy to her, I said that my aunt took me on a wonderful journey, resulting in my coming  out as a different person on the other side.  Discovering these previously unknown letters let me travel on that remarkable journey with her one more time.  I hope that one day you will also find the “lost words” of a loved one so that you can embark on a similar journey.------------------------------------------------------------------------------------------------------------Contact: will@jamsj.orgLinks:To request "WWII Japanese American Internment and Relocation Records" from the National Archives: http://www.archives.gov/research/japanese-americans/San Jose Day of Remembrance: http://www.sjnoc.org/San Jose Day of Remembrance. Photo courtesy of Andy Frazer.The Day of Remembrance commemorates  the anniversary of  Executive Order 9066 which led to the forced incarceration of 120,000 people of Japanese descent, two-thirds of whom were American citizens. Each year, we gather to remember that great civil liberties tragedy from over seventy years ago and each one of us reflects on what that event means to us today.The Day of Remembrance is an event that aims to bring different communities together in order to build trust, respect and understanding among all people and to renew our pledge to fight for equality, justice and peace.Other articles by Will Kaku:The Secret of Tule LakeLiving HistoryAn American Time CapsuleThe Echoes of E.O. 9066The Emotional Journey Into Camp Days    

Winter Boutique 2012 Artist Closeup: E. Fukushima

Winter Boutique 2012

JAMsj will hold its annual Winter Boutique on November 10, 2012. We sat down with one of the participating boutique artisans, Emi Fukushima, and talked to her about her products and her background.

Emi Fukushima

Creations by Emiwww.emiscreations.com

As a bilingual instructor in precious metal clay (silver clay), polymer clay, washi paper, and other materials, Emi teaches her techniques at stores and shows in the United States and Japan.JAMsj: How long have you been designing jewelry?Emi: I've been designing and making jewelry with fabric (especially kimono and obi fabrics) for more than 20 years. I mainly focus on jewelry at this time.  When I first started, I made other arts and crafts, which is my passion.  You can check my website (www.emiscreations.com) to see exactly what I did in the past.JAMsj: Why did you want to be involved in the JAMsj Winter Boutique?Emi:I have been participating in the JAMsj Winter Boutique ever since it started more than 20 years ago. It’s a great venue for JAMsj fundraising.  I mainly sell my jewelry at fundraising events.  Additionally, I am involved in other activities such as teaching, demonstrations and television programs showcasing my work (as noted on my website).  I have also taught workshops and classes throughout the U.S., including Hawaii, and in Japan.  I also teach and do demonstrations at major trade shows.JAMsj: Were you part of the evacuation and incarceration during World War II?Emi: Yes, I was incarcerated in the Tule Lake incarceration camp during WWII.  My memories of that time are very limited since I was quite young at the time.Click here for more information about the 2012 JAMsj Winter Boutique.

Winter Boutique 2012 Artist Close up: Cynthia Sasaki

Winter Boutique 2012

JAMsj will hold its annual Winter Boutique on November 10, 2012. We sat down with one of the participating boutique artisans, Cynthia Sasaki, and talked to her about her products and background.

Cynthia Sasaki

Cynthia Sasaki Designs

www.cynthiasasakidesigns.com

JAMsj: What products will you be showcasing at the Winter Boutique?

Cynthia: I am a jewelry designer. I love beautiful jewelry and how it makes a person feel when adding the special piece to their outfit to help them feel put together and confident.

 JAMsj: Why did you decide to participate in the JAMsj Winter Boutique?

Cynthia: Participating in the JAMsj Winter Boutique is an honor and a tribute to my heritage. I enjoy knowing that a percentage of my contributions go to such a worthy organization.

 JAMsj: Were you or someone you know incarcerated during WWII?

Cynthia: Both my parents and grandparents were incarcerated at the Rohwer, Arkansas incarceration camp. My father was awarded the Congressional Gold Medal  because of his duty as an MIS soldier.

Drop by the 2012 JAMsj Winter Boutique and say hello to Cynthia Sasaki. Click here to visit the JAMsj Winter Boutique web page for more information.